Continuity: While Christian and Satine are singing the Come What May finale, you see Christian walking towards the
stage to join Satine. Christian passes the conductor, yet when the camera angle changes, the conductor is nowhere to be seen.
Continuity: When Satine is dancing with Christian in the first Moulin Rouge scene, her pink feather dress's straps
are very thin. But when Chocolat sets her down backstage after she has fainted, her straps are much thicker and are more intricate.
This is mentioned on the DVD - the later scene was filmed first, and changes had to be made to the dress in order for Nicole
Kidman to dance around in it.
Continuity: When Christian and Satine finish singing the Elephant Love Medley, Satine leans in to kiss Christian. When
she does this, she tilts her head to the left, but when they go to a wide shot, it shows her tilting to the right.
Continuity: When Nicole Kidman is singing "Diamonds...etc" on stage, just after she coughs there is a shot of 'the
maharaja' turning to look at 'the duke'. Then it cuts to a wide shot of the stage and 'the maharaja' is facing Kidman - check
out his turban in the center of the screen at the bottom. It cuts back and forth like this for a few shots.
Continuity: After Harry Zidler first sees Christian and Satine kissing, when they stop kissing, Satine's lipstick switches
from being smeared to perfectly done and bright red when she walks and when Zidler is talking to her about having to end the
Revealing: There is a shot where the point of view of the camera is looking down at Christian and Toulouse from the
opening in his ceiling. You can see John Leguazmo's legs behind him and that he is clearly kneeling down.
Continuity: In the scene where Satine and Christian have been kissing right before Zidler discovers them, Christian's
face is covered with lipstick kisses. Moments later, it is not.
Continuity: The scar on the Duke's bodyguard's face switches from one cheek to the other throughout the movie.
Continuity: When Satine goes to see Christian after the Duke almost rapes her, she has either no or very little lipstick
on cause her lips are pink. But after about 2 or 3 camera shots, she has her red lipstick on again, which is also unsmeared
unlike the rest of her makeup.
Continuity: Just before the end, Toulouse is dressed as the Sitar and is shot up into the catwalk holding a bottle
of wine. He wants to warn Christian about the assassin and starts to walk through the catwalk. There are times when he is
holding onto the bottle and there are times when no bottle is present.
Revealing: In the scene where Satine dies in Christian's arms, there is a shot where the camera films above them just
as Christian bursts into tears. Watch Satine's eyes very closely, because as Christian rocks back Satine's head falls forward
and she blinks very slowly, even though she's been dead for at least a couple of minutes.
Continuity: During the Elephant Love Medly, Satine and Christian are walking back into the Elephant. Before Christian
walks into the Elephant, his hair is visibly messed up and hanging into his eyes. When he walks into the Elephant, his hair
is combed back and perfect. Another shot later his hair is in his eyes again.
Continuity: At the beginning of the like a virgin dance number, there are 4 dancers spinning around the duke and Zidler.
One of the 4 dancers has thick sideburns in one shot, then they disappear, then reappear, and so on.
Continuity: When Satine grabs the Duke's legs in the Red Room, she is on her knees and you can see she is not wearing
any shoes for about 1 second in the frame. Then she stands up and is therefore about the same height as the Duke. But before
and after this scene she is wearing high heels.
Continuity: At the end of 'Come What May' during the play, in the shot where Toulouse is hanging from the piece of
wood, he is supposed to fall off and grab a rope and swing. In the shot, however, he falls straight down, off the screen,
and then he is magically back in the shot and swinging off a rope.
Continuity: When Toulouse remembers his line during the play, he jumps onto the wood to go down. In the shot, he lands
on his side and is holding onto the rope and is fully on the piece of wood. In the next shot, however, he is hanging from
the edge off of the wood.
Continuity: In the scene where Satine and Christian suddenly appear on stage you see the two golden doors close behind
them. In the next shot, however, the doors are open again and do not close untill later that scene.
Continuity: During the finale, the backround looks like a sunset and there is a big door in the back. Watch closely
and all of a sudden from one camera angle to the next (it's right after the big puff of smoke), the background changes to
an elaborate background of layers of hearts, the door is gone, and there are about 60 more extras onstage. During the DVD
Baz explains that they filmed the scene with both backgrounds and it just to happened that the beginning was better with one
and the end was better with the other, so they put the puff of smoke in there to distract the audience so that they wouldn't
see the change.
Visible crew/equipment: During the The Pitch, a crew member is visible after they sing "elephant, Bohemians, Indians,
and courtesans...". He can be seen wearing a green/gray baseball cap, pushing the bald man who is hanging on the chandelier.
Continuity: When Nini says "This ending's stupid, why is she falling for the penniless writer, oops, I mean sitar player?"
The very next shot shows the stage, and you can see Nini, and her friends (whom she was sitting with after she spoke with
the duke) on the stage singing.
If you would like to see the rest of the mistakes, go to the site below.